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Save for a few inspired arcs such as one involving a closeted executive played by Joe Mantellomuch of Hollywood functions this way—using the revisionist nature of the show as a narrative crutch. As a producer, Murphy usually succeeds in excavating the complex, uncomfortable truths in dramas about history: In The People v. But in Hollywood, he resorts to wishful thinking, never demonizing the industry and its Hays Code era, leaving the series toothless instead. The show acknowledges the sexism, racism, and homophobia of the postwar movie business, but it treats such systemic issues as simply failures of imagination—as if all Hollywood needed was more Roosevelts bravely striding onto movie sets. Wong in particular is underwritten: After being cast in Meg early in the series, she disappears until the finale, when she wins an Oscar for her supporting performance—a performance glimpsed cheapest escort saint george, in a scene that a character advises an editor to cut.

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But in Hollywood, he resorts to wishful thinking, never demonizing the industry and its Hays Code era, leaving the series toothless instead.

Save hollyowod a few inspired arcs such as one involving a closeted executive played by Joe Mantellomuch of Hollywood functions this way—using the revisionist nature of the show as a narrative crutch. As a producer, Murphy usually succeeds in excavating the complex, uncomfortable truths in dramas about history: In The People v.

Wong in particular is underwritten: After being cast in Meg early in the series, she disappears until the finale, when she wins an Oscar for her supporting hardsports escort montreal performance glimpsed jigh, in a scene that a character advises an editor to cut.

Throughout her life, she worked to reconcile her heritage with her career portraying stereotypical Asian roles; she created a production company dedicated to stories companions escorts slc her culture, traveled to China for the first time in the s, and directed a documentary about her experience. Her acceptance speech, though, gets the spotlight in the finale.

The show acknowledges the sexism, racism, and homophobia of the postwar movie business, but it treats such systemic issues as simply failures of imagination—as if all Hollywood needed was more Roosevelts bravely striding onto movie sets. Yes, Hollywood never fully hollywood her talents, but Hollywood suggests that all she wanted was hollywoood trophy.

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